Carrie underwood quitter1/23/2024 ![]() “Play On” makes no promises that try, try again will eventually end in success, but makes the case that life’s purpose is found in the effort, not the result. “Someday When I Stop Loving You” is in the tradition of the very best country heartbreak songs: simple, sad, and sincere.Ī big part of Underwood’s music is inspirational in nature, but her songs in this vein are tempered by realism. “Mama’s Song” is simply gorgeous, with Underwood’s vocal beautifully conveying maternal love and gratitude. The album’s softer moments have a sweetness that mostly avoid saccharine sentimentality. Many have noted that she sounded far more convincing on the hit “Last Name” when she sang it live, but she’s finally captured her fiery stage presence on record with “Songs Like This.” Her phrasing is so effective that it’s easy to picture her sneering in irritated dismissal of her former beau. The pop moments on this album are relentlessly catchy, with “Undo It” reaching “Umbrella” levels of auditory cortex embedment. ![]() Play On makes the case that all of these influences can be mixed together, sometimes even on the same song. Any artist of Underwood’s generation has been weaned on both Randy Travis and Def Leppard, on both Reba McEntire and Madonna, on both the Dixie Chicks and Shania Twain. It helps that she’s as comfortable singing a shameless pop hook as she is a pure country melody. On her newest album, Play On, she continues to find new ways to stretch that voice, using a variety of approaches ranging from full-on power to subtle nuances. Her vocal talent so far exceeds all of her contemporaries that she can outsing them all from the corner of her mouth. It’s getting easy to take Carrie Underwood for granted.
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